Best and rare music » Jazz music » Joey DeFrancesco - Never Can Say Goodbye (The Music of Michael Jackson) (USA) (2010) Lossless
Joey DeFrancesco - Never Can Say Goodbye (The Music of Michael Jackson) (USA) (2010) Lossless
Artist: Joey DeFrancesco Country: USA Title Of Album: Never Can Say Goodbye (The Music of Michael Jackson) Genre: Smooth Jazz / Contemporary Jazz Year Of Release: 2010 Label: HighNote (HCD 7215) Quality: FLAC (*image+cue+log+booklet) Size: 393 Mb Upload: Depositfiles
Tracklist:
1. Thriller (Sounds – Mark Reynolds) (7:48) 2. Never Can Say Goodbye (5:52) 3. Beat It (7:13) 4. Human Nature (5:03) 5. Rock With You (6:30) 6. She's Out Of My Life (Violin – Ann Fontinella) (6:44) 7. The Way You Make Me Feel (Vocals – Annie Sciola & Samantha Aurelio) (4:55) 8. Lady In My Life (5:36) 9. Billie Jean (9:47)
Drums – Byron Landham Electric Guitar, Classical Guitar – Paul Bollenback Keyboards – Pat Bianchi Percussion – Carmen Intorre
Recorded at the Music Centre, Exton, PA on June 5 & 6, 2010
Produced by Joey Defrancesco & Byron Landham Co-Produced By Paul Bollenback, Pat Bianchi; Carmen Intorre and Glen Ferracone Executive Producer Joe Fields Engineered, mixed and mastered by Glen Ferracone Photography R.Andrew Lepley (cover) and Kay-Christian Heine (traycard) Design Peter Muleer, Littlefield & Co.
Coming after his tribute to the iconic jazz pianist Horace Silver, Joey DeFrancesco's tribute to the music of Michael Jackson might seem something of a surprise, perhaps even exploitive as its release followed Jackson's death by just over a year. But for DeFrancesco it's always come down to the song -- which melodies might best suit his style, a cross between traditional and progressive -- and if anyone had a knack for a tune it was Michael Jackson. DeFrancesco -- who plays not only his usual Hammond B-3 but other organs, piano, and trumpet on the recording -- sticks largely to material from Jackson's solo career here, with an emphasis on Thriller (five of the nine songs), using the original song structures as takeoff points. DeFrancesco's interpretations reference Jackson's originals but depart from them substantially enough that they never feel like copies, and at times he and the band expand far outside of the basic chordal boundaries Jackson set down. More than anything, DeFrancesco appears to be having fun with this set (he even sings a couple). And when he and the band (guitarist Paul Bollenback is on fire) get cooking, as they do more often than not -- some of these tracks ("Billie Jean," "Rock with You," "Beat It") seriously rock -- it's hard not to get caught up in the party atmosphere.
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