RARE & HEAVY spiritual jazz from LA guitarist Calvin Keys - like a an early precursor to Horace Tapscott, and later Thundercat and the deep LA jazz scene!
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Calvin's musical roots originate in his hometown of Omaha, NE, playing with legends like Eddie 'Cleanhead' Vinson. Shortly after the release of his debut LP 'Shawn-Neeq', Calvin was hired to tour and record with Ray Charles. By the mid-70's, Calvin was working steadily with pianist Ahmad Jamal on the road and in the studio. Since settling in the Bay Area in the mid-70's, Calvin has recorded numerous solo albums and played with many greats, including Taj Mahal, Bobby Hutcherson, Big John Patton and Dr. Lonnie Smith. In 2007, fellow Midwesterner and big fan Pat Metheny included the song "Calvin's Keys" on his album, 'Day Trip'.
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Calvin Keys’s 1971 debut album for the Black Jazz Records label announced the arrival of a new star in the jazz guitar firmament. Keys had spent the ‘60s backing up the cr?me de la cr?me of jazz organists—Jimmy Smith, Jimmy McGriff, Jack McDuff, Richard “Groove” Holmes—but for his first record as a leader, he was eager to play with a piano player instead. So he recruited one of the best—Larry Nash, who, besides being a member of the L.A. Express, played with everybody from Eddie Harris to Bill Withers to Etta James. Bassist Lawrence Evans, drummer Bob Braye, and flautist-songwriter Owen Marshall rounded out the group on Shawn-Neeq, which might remind some of Pat Metheny’s early work (Metheny acknowledges Keys as an influence), or Grant Green. But what gives Shawn-Neeq extra depth is that it comes from the heart; as Keys says in Pat Thomas’ liner notes, which feature an interview with the artist: “My thing was, I write about some of the experiences that I’ve had in my life.” Keys has since become a fixture in the Bay Area jazz scene; this is the album that started his journey.