This album was only privately released and now sees the light again. It is a special recording which does not reveals itself after one listen. Most of the album sounds as if this is a Christian or otherwise spiritual inspired item, in a hippie fashion, with driven soul in the vocals, and with speeded up rhythms heading for the light, using rock rhythms, covers or originals for enlightenment. Also the instrumentation is pretty weird and beautiful. There’s use of electric piano and an Arp synthesizer which produces some unusual sounds.

On “Right track” this track sound as if this is orchestrated, but I think the keyboards were responsible for this effect. Also electric and acoustic autoharp provides more special acoustic and emi-electronic touches. The female singer, Wendy, has a beautiful folk-like voice, with some range in her singing. Her voice fits well everywhere, like on the opening track, a cover of the beautiful Moody Blues track (which is one of many people’s all time favourite’s songs) “Nights in a White Satin” ,with additional backing male voice, oscillating violin, electric piano and percussion.

There’s often a sing-a-long and celebrate feeling, from rock to more pastoral, like the closer, “Wind”, a track which has the most psychedelic atmosphere, with an ethereal folkvoice, moody electric piano and bass.