Because it was produced by one-time Lovin' Spoonful members Zal Yanovsky and Jerry Yester, and because they were also based in Greenwich Village, the Fifth Avenue Band's sole and self-titled album has generated its share of Lovin' Spoonful comparisons. It's really not too close in sound to the Spoonful, however, even if it shares a little bit of the same sort of good-timey/easygoing reflective mood of some of the Spoonful's vintage material. It's far more colored by late-'60s rock in its arrangements, for one thing, sometimes going into a somewhat heavier, occasionally jazz-funk-influenced sound than what the Spoonful were renowned for, though there are bits of country as well. To be a little harsher, it also doesn't have anything on the order of the classic original material the Spoonful generated at their peak. It's not at all bad, however, with a gentle melodic vibe and vocal harmonies that tend toward the optimistically upbeat even on the somewhat more pensive tunes, though it's more a pleasant listen than a memorable one. Some of the more forceful songs might also recall some of the Nazz's work in their blend of pop/rock with slight soul spice, though the Nazz were more Beatlesque in their approach. They come closest to hitting that kind of stride on the closing cut, "Angel," which is the album's highlight.